Competitive sections
CRUMB
ELENA KULESH – 2025 / RUSSIA
Alyoshin is a pupil of a correctional orphanage. To confirm his legal capacity and get out, he goes on an internship in a bakery. There he falls in love with a coworker and makes up they are having an affair. Yet reality takes over the fiction, but he finds the strength to resist and fight for his right to love and freedom.
PER BRUIXA I METZINERA / THE SORCERESS ECHO
MARC CAMARDONS – 2025 / SPAIN
Cebriana is sure she saw a fire at night on the mountain. There are no traces of embers or witnesses to corroborate her vision. Her grandmother, an old herbmistress, will try to make her see beyond the flames.
QAHER / WINNER
NADA KHALIFA – 2025 / EGYPT-PALESTINE-POLAND
Jason, a Palestinian-Canadian, returns to Palestine after years to surprise his sister, bearing with him an unconventional gift—a goat, a traditional offering for his newborn nephew. Jason embarks on a journey to reach his sister, rediscovering the true meaning of the Palestinian identity along the way.
ALWAYS WANTED TO BE GOD, NEVER WANTED TO DO GOOD
NOA EPARS, MARVIN MERKEL – 2025 / SWITZERLAND
On the summits of Swiss mountains, Christian crosses stand tall. In the cities, billboards displaying Bible verses occupy public space. Back in 2009, mountain guide Patrick Bussard made headlines when he sawed down a cross in the Fribourg Alps; he was severely punished by the courts.
EL COLUMPIO, ETC. / THE SWING, ETC.
SILVIA MARTÍN – 2025 / SPAIN (GALICIA)
Nostalgia seems to be a recurring theme in cinema in recent years. From an anthropological and collective perspective, EL COLUMPIO, etc. seeks to explore the different interpretations of nostalgia, reflecting on its usefulness and addressing issues such as migration and the audiovisual archive.
SAÍR DO LIMBO / OUT OF LIMBO
ANTÓN RODRÍGUEZ – 2025 / SPAIN (GALICIA)
Suso is received by the bored official responsible for the fate of souls in limbo. When Suso refuses to accept his situation, the negligent bureaucrat tries to kill time by giving the visitor a lesson.
O MUÍÑO NON É MUÍÑO / THE MILL IS NOT A MILL
ALBERTO ABAL, SABELA NÓVOA GÓMEZ – 2026 / SPAIN (GALICIA)
O MUÍÑO NON É MUÍÑO / THE MILL IS NOT A MILL
ALBERTO ABAL, SABELA NÓVOA GÓMEZ – 2026 / SPAIN (GALICIA)
Eroticism, courtship and sexuality form a crucial and little-known part of Galician musical heritage. Delving into the coplas and the torreiro allows us to discover that not everything is as it seems. The foliada is much more disco than dance class. Work is not work. The mill is not a mill.
TODO SE LIMPIA / EVERYTHING GETS CLEANED
NAIARA VILA CANLE – 2026 / SPAIN (GALICIA)
Everything gets clean and everything gets dirty. To live is to get dirty and then clean yourself again. Today we are immortal, but tomorrow, when the world has been cleansed of what we were, we will be no one.
O MAR É O MEU CHAN / A NEW SEA
XOÁN VÁZQUEZ – 2026 / SPAIN (GALICIA)
In the 1970s, a group of youngsters from A Coruña took to the city’s beaches to try to ride the waves. With hardly any guidance in a society that still turned its back on the sea, they made their own surfboards, discovered new spots and, without realising it, marked the beginning of the history of surfing in Galicia. Through the testimonies of four of them, we learn how, drawing on their previous individual experiences linked to the sea, they took up surfing and formed the city’s first group of surfers.
